Ring in Halloween with “gloomth” – Mike Gocksch –Yale Daily News October 30, 2009
A recent front-page article in the News informs us that the Yale Center for British Art suffers from a lack of visibility: Many undergraduates, apparently, do not know it exists. There will be some who turn their nose up at the very idea of pre-twentieth century British art, dismissing it as derivative, dull, second-rate. That said, I encourage everyone, teeming undergraduate masses, skeptics and veterans of the British Art Center alike, to investigate “Horace Walpole’s Strawberry Hill,” a new exhibition that will be running in New Haven through Jan. 3; it may or may not make you a regular visitor to the museum, but it should leave you with a renewed appreciation for the eccentricities of our cousins across the pond.
The Museum at the Heart of the Academy – October 29, 2009 – Inside Higher Ed – James Christen Steward
Like libraries that often also find themselves embattled in times of budget cuts (since typically neither museums nor libraries directly generate tuition streams), great university art museums are a “public good,” offering value and possibility to the whole of our university communities as well as to users from outside the walls of the ivory tower. That all university museums do not achieve this centrality of purpose — often, I suspect, for lack of adequate resourcing by their parent institutions in the perpetual fight against the perception that art represents a “luxury” in the logo-and data-centric university — is to be regretted. Without question much work remains to be done to make our museums central to the academic experience.
British Art Center seeks more undergraduate visitors Alison Greenberg – October 28, 2009 –Yale Daily News
The survey found that undergraduates comprised just 2 percent of visitors to the [British Arts] center. Attendance at gallery events, such as screenings, lectures and concerts, is composed primarily of New Haven residents, visitors and graduate students, with much lower numbers of undergraduates, Meyers said. This means that approximately 2,000 Yale undergraduates visit the center annually, according to the center’s spokesman, Ricardo Sandoval ’06.
A Shower of Tiny Petals in a Marriage of Art and Botany – KAREN ROSENBERG – New York Times – October 22, 2009
The fascinating “Mrs. Delany and Her Circle,” at the Yale Center for British Art, celebrates this exemplary woman’s contributions to botany, the decorative arts and English court society. All of these fields had something to do with order, structure and design (in the divine, as well as the human, sense).
Yale moves to drop museum suits Nora Caplan-Bricker – Yale Daily News – October 27, 2009
The University filed one motion Oct. 5 to dismiss Pierre Konowaloff’s claim to ownership of “The Night Café,” a painting by Vincent Van Gogh housed in the permanent collection of the Yale University Art Gallery, and another on Oct. 16 to dismiss the Republic of Peru’s suit for the return of Inca artifacts housed in the Peabody Museum of Natural History.
Chase: Throwing away the Green House and sustainability Thomas Chase – Yale Daily News October 27, 2009
Given my work as an ecologist and environmentalist studying environmental impacts and the built environment, that the school’s gallery was hosting “The Green House: New Directions in Sustainable Architecture” should have warmed my heart. However, on a routine salvage visit to the loading dock behind Paul Rudolph Hall, I was surprised to find the entire exhibit, eight-foot-tall stands, display boards, tables and all, in a dumpster awaiting its one-way trip to the landfill. So much reusable material was being discarded that an extra dumpster, in addition to the one normally present, was on-site to receive it.
‘Horace Walpole’s Strawberry Hill’ At Yale Center for British Art October 15, 2009 Hartford Courant
It’s a miracle that the original home, Strawberry Hill, still exists, though it was listed as one of the planet’s most endangered heritage sites by the World Monuments Fund. It is being renovated, however, for a reopening to the public scheduled next fall. In the meantime, the home’s holdings, along with those from the Walpole Library and collections across the globe, make up the surprising exhibit opening today at the Yale Center for British Art.