Category Archives: Art

See Strawberry Hill

Ring in Halloween with “gloomth” – Mike Gocksch –Yale Daily News October 30, 2009

A recent front-page article in the News informs us that the Yale Center for British Art suffers from a lack of visibility: Many undergraduates, apparently, do not know it exists. There will be some who turn their nose up at the very idea of pre-twentieth century British art, dismissing it as derivative, dull, second-rate. That said, I encourage everyone, teeming undergraduate masses, skeptics and veterans of the British Art Center alike, to investigate “Horace Walpole’s Strawberry Hill,” a new exhibition that will be running in New Haven through Jan. 3; it may or may not make you a regular visitor to the museum, but it should leave you with a renewed appreciation for the eccentricities of our cousins across the pond.


The Museum at the Heart of the Academy

The Museum at the Heart of the Academy – October 29, 2009 – Inside Higher Ed – James Christen Steward

Like libraries that often also find themselves embattled in times of budget cuts (since typically neither museums nor libraries directly generate tuition streams), great university art museums are a “public good,” offering value and possibility to the whole of our university communities as well as to users from outside the walls of the ivory tower. That all university museums do not achieve this centrality of purpose — often, I suspect, for lack of adequate resourcing by their parent institutions in the perpetual fight against the perception that art represents a “luxury” in the logo-and data-centric university — is to be regretted. Without question much work remains to be done to make our museums central to the academic experience.


Most undergraduates don’t know the BAC

British Art Center seeks more undergraduate visitors Alison Greenberg – October 28, 2009 –Yale Daily News

The survey found that undergraduates comprised just 2 percent of visitors to the [British Arts] center. Attendance at gallery events, such as screenings, lectures and concerts, is composed primarily of New Haven residents, visitors and graduate students, with much lower numbers of undergraduates, Meyers said. This means that approximately 2,000 Yale undergraduates visit the center annually, according to the center’s spokesman, Ricardo Sandoval ’06.


A Shower of Tiny Petals

A Shower of Tiny Petals in a Marriage of Art and Botany – KAREN ROSENBERG – New York Times – October 22, 2009

The fascinating “Mrs. Delany and Her Circle,” at the Yale Center for British Art, celebrates this exemplary woman’s contributions to botany, the decorative arts and English court society. All of these fields had something to do with order, structure and design (in the divine, as well as the human, sense).


Yale moves to drop museum suits

Yale moves to drop museum suits Nora Caplan-Bricker – Yale Daily News – October 27, 2009

The University filed one motion Oct. 5 to dismiss Pierre Konowaloff’s claim to ownership of “The Night Café,” a painting by Vincent Van Gogh housed in the permanent collection of the Yale University Art Gallery, and another on Oct. 16 to dismiss the Republic of Peru’s suit for the return of Inca artifacts housed in the Peabody Museum of Natural History.


Sol LeWitt @ the new Smilow Hospital

"Wall Drawing 692" by Sol LeWitt @ Mass Moca

Sol LeWitt’s “Wall Drawing 692” @ Mass MoCa

Smilow’s interior features modern art – Lauren Motzkin – Yale Daily News – October 22, 2009

In a collaboration between the Smilow Hospital and the Yale University Art Gallery, “Wall Drawing 692” by conceptual artist Sol LeWitt has been installed in the lobby of the hospital, providing patients and visitors with a colorful welcome to the building.


Lisa Kereszi’s “Fun and Games”

Yale lecturer publishes ‘fun’ photos Chantal Fernandez Yale Daily News October 20, 2009

The body of work in “Fun and Games” spans the last 10 years, since Kereszi’s time as a graduate student at the Yale School of Art, and has evolved into a distinct perspective on escapism in its many forms. Though there are no people in her photographs, a human presence is made clear in the peculiar spaces of haunted houses, motels, fairs and other slightly tawdry entertainment venues.