Entries categorized as ‘Theater’
On Being Sent Down from Yale – by Edgar Nkosi White – 11/17/2009 – MR Zine
Edgar White was born in Montserrat West Indies. He has lived in the United States and England. His plays have been successfully presented in New York, London, and Africa. In the following autobiographical extract, he describes how his radical activities in the seventies led him to being sent down from Yale.
-Tanya
Categories: School of Drama · Theater
Wendall K. Harrington Heads New Projection Major At Yale Oct 21, 2009 – Live Design – Ellen Lampert-Gréaux
Projection designer Wendall K. Harrington will head the new projection concentration within the design department at the Yale School of Drama, as announced by Ming Cho Lee and Stephen Strawbridge, co-chairs. The program begins in the fall of 2010, as one of the first graduate theatre training programs of its kind in the United States.
-Tanya
Categories: School of Drama · Theater · Yale News
Paging Dr. Freud: ‘Antibiosis’ offers a new psychodrama
Donald Brown New Haven Advocate October 21, 2009
By Donald Brown
Shannon Sullivan’s Antibiosis, at the Yale Cabaret, is situational drama: Put three characters in a situation, and see what occurs. The play mixes time frames so we don’t get the story in a linear manner. It seems to come full-circle from the present to the present. In between are flashbacks, but not necessarily in the order of occurrence. There are also a number of soliloquies even harder to pin down in terms of “when.”
-Tanya
Categories: Drama · School of Drama · Theater · Yale events
Hocus Pocus: Yale Dramat and Yale Cabaret flirted with the edge of reality
Donald Brown, New Haven Advocate 10.14.2009
-Tanya
Categories: School of Drama · Theater
Princeton Numbers Cruncher Confirms Bias in Theater Philip Boroff – June 24, 2009 – Bloomberg.com
Sands sent scenes from four unpublished plays to artistic directors around the country, and asked them to rate the dramas on audience appeal, economic prospects and other qualities.
Each was written by an accomplished female playwright, including [Lynn] Nottage, who won this year’s Pulitzer Prize for Drama for “Ruined.” Sands assigned pen names to each play, equally divided between male and female pseudonyms.
Staff members from 82 theaters responded. The male artistic directors assigned nearly identical ratings regardless of the gender of the pen name….The female artistic directors and literary managers assigned “markedly lower ratings to a script” with a female pen name….
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Are female artistic directors really holding back female playwrights? June 26, 2009 – Charles McNulty – Los Angeles Times
I don’t know any theater professional who believes it’s the prejudice of powerful women in institutional theaters that is holding women playwrights back. Suspicion of cattiness is always attention grabbing, but it’s a red herring that distracts us from an issue that may have more to do with a narrowness of sensibility (what constitutes a stage-worthy play) than the sex organs of the writer.
-Tanya
Categories: Theater
Where All the World’s an Atmospheric Stage KAREN ROSENBERG New York Times 7/5/2009
Donald Oenslager, the great American set designer and a professor at the Yale School of Drama, wrote that “a sketch for a scene is as short-lived as the life of the theater it supports.”
Mr. Oenslager, who died in 1975, was being a bit disingenuous, as he was a major collector of such sketches. In 1982 his widow gave some 1,600 drawings, prints and books on set design to the Morgan Library & Museum. About 50 of these drawings, including two by Mr. Oenslager, are on view there in “Creating the Modern Stage: Designs for Theater and Opera.” They present a concise summary of 20th-century stagecraft, one that appeals equally to Museum of Modern Art mavens and seasoned theatergoers.
-Tanya
Categories: School of Drama · Theater
Playwright’s elusive dream: Conquering his hometown of Miami
BY CHRISTINE DOLEN, Miami Herald 6/12/2009
Though it has only been two years since he earned his master’s degree in playwriting from the Yale School of Drama, McCraney has had his work produced in New York, Washington D.C., Seattle, New Orleans, Atlanta, Pittsburgh, London, Barcelona and Dublin.
But not, so far, in Miami.
Yet here’s the remarkable thing: Though McCraney has been artistically ignored in his hometown, he has a dream that by the time he turns 30 on Oct. 17, 2010, he will be back in Miami starting a theater company.
-Tanya
Categories: School of Drama · Theater
Producer Is Chosen to Lead Arts Endowment
ROBIN POGREBIN New York Times 5/12/2009
Rocco Landesman, the colorful theatrical producer and race-track aficionado who brought hits like “Big River,” “Angels in America” and “The Producers” to Broadway, has been nominated as the next chairman of the National Endowment for the Arts, the White House said on Tuesday.
-Tanya
Categories: School of Drama · Theater
Some actors dedicate their performance to their spouses, their children or to a dearly departed. Charles S. Dutton dedicated his performance as Willy Loman in Arthur Miller’s “Death of a Salesman” at New Haven’s Yale Repertory Theatre to a librarian.
But not just any librarian. Pam Jordan has headed the Yale School of Drama library for decades and was there when Dutton was at the school as a young actor 25 years ago. Dutton cites her “42 years of devoted service to Yale.”
Ticker: Betty Buckley Coming To Hartford Stage Frank Rizzo Hartford Courant May 7, 2009
-Tanya
Categories: School of Drama · Theater
Talent of 2009 Carlotta Festival writers goes beyond theater May 3, 2009 New Haven Register Dominique Angerame
The plays and playwrights featured this year are — “American Catnip” by Mattie Brickman, directed by Becca Wolff, “The Bedtrick” by Matt Moses, directed by Erik Pearson and “The French Play” by Gonzalo Rodriguez Risco, directed by Patricia McGregor. All three plays will be performed four times each over the 10-day period. Members of the artistic and creative teams are also Yale students.
More information
-Tanya
Categories: School of Drama · Theater